With the new LT 4 Teufel created a timelessly elegant solution, which not only visually impressed in the test, but also awakened acoustic expectations. Devil has a lean column shape and aluminum profiles – a proven success.
Slim instead of closet
The new LT 4 sound pack is available in four versions
Also interesting is
These step solutions are already known from the column sets of the house. Typical Devil: The Berliners prefer a D'Appolito arrangement of their three-way chassis. This means that the tweeter measuring 1.9 cm is centered between the two low and mid-range drivers. Its diameter is limited to 8 cm in diameter by the narrow housing, regardless of the various tasks.
Conclusion
The detail processing is convincing. The subwoofer stands on large feet, the pillars on a decorative aluminum platform. The pillars and centers are made of metal grids. It is true that Teufel has a special price for specialties such as bi-wiring connections, but it has gilded screw clamps.
The rear panel of the front-radiating subwoofer offers many useful adjustments, including a stepless transition frequency selection between 30 and 70 hertz, level and two-stage phase switching from 0 to 180 degrees. A mono-cinch high-level input is used to connect, so the scope of the LT 4 is ultimately limited to AVReceiver with bass management.
In the listening test, the set set off as pure and virtuous as if the bodily devil was lying on the verge of killing his soul at the slightest loss. The homogeneity and cleanliness reminded us of higher price classifications, as did the premises. The noble metallic luster of the stately columns might also catch their eye, and, unlike some representatives of the heavy metal fraction, they did not notice anything of their construction. At least as far as material selection was concerned. In the case of radiation, the LT 4 was able to play its full advantage in the slender baffle on which the sound waves can hardly be caught. And those of the low directivity in the mid-high range thanks to small diaphragm diameters also.
The LT 4 was characterized by a stable image, great focus and a particularly transparent, deeply backward space, even when only stereo CDs were running. The bass came so dry and differentiated that it is almost worthwhile for the home cinema a pound over the bass management of the receiver for rich diaphragm massage with special effects draufzulegen and if possible as a Preset store.
In the case of films and multi-channel music, the macellose interplay of the closely related or identical channel workers for front, center and surround convinced. The subwoofer also played sensitively when the transient frequency on the receiver was not too high.
The LT 4 is an avant-garde in terms of sound and processing. Despite a somewhat limited maximum level, some more expensive systems might make life difficult.
In the set L tested here, the surround boxes are identical to the 115 cm high front columns. In Set M, they are smaller, but the same are designed and designed like front and center loudspeakers. In both cases, a nominal 180 watt sinewy active subwoofer with a 25 cm Spree striker bass driver is included in the scope of supply. Fits the set, its MDF housing is painted silver .; Teufel offers both sizes as optional Power Edition. The particularly large and powerful subwoofer US 8112/1 contains 12-inch woofers (30 cm in diameter) and should lower the lower limit frequency. For this purpose, the receiver supports the receiver with its integrated power amplifier with a nominal power of 250 watt sine.
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